gigidigi:

The Cucumber Quest Kickstarter is almost over! I’m so incredibly grateful for all your support over the past few weeks. We’ve surpassed all but two of our stretch goals, and I’m hard at work putting together the best book I possibly can for you guys.

If you haven’t pledged, you still can! Funding will end on May 26th, and we’re just under $1700 shy of our next stretch goal. If we raise enough, I’ll be able to spend more time working on the comic, which will mean double the updates from July through January.

I know I get sappy about it a lot, but being able to share this comic with all of you is a dream come true. Thanks so much for making it possible!

gosh, i really need to catch up with ultimate comics: spider-man.

(Source: dundermifflinscranton)

cavetocanvas: Adolph Gottlieb, Equinox, 1963 From the Phillips Collection: Once he felt he had exhausted the myriad possibilities of his pictographs, Gottlieb began to simplify his symbols and composition in order to enhance his theme of universality. By the 1960s, he was creating paintings like Equinox, in which the grid is reduced to an implied (although occasionally delineated) horizontal division that separates the image into two halves. Within each half, a few shapes—circles, squares, or calligraphic gestures—float against a field of color, vying for focal supremacy. Gottlieb creates a tension between the two forms struggling against each other, but in their balance and containment within a field of color, he also achieves a harmonious resolution. Duncan Phillips acquired his two examples of Gottlieb’s work soon after each was painted, evidence of his appreciation of his art. Although no specific reference to Gottlieb appears in Phillips’s surviving writings, he could have had Gottlieb in mind when he declared in 1955, “I admire the aesthetic interpretations of the age we live in—even the symbols for the anarchy, the turmoil and the inner tensions.”

cavetocanvas:

Adolph Gottlieb, Equinox, 1963

From the Phillips Collection:

Once he felt he had exhausted the myriad possibilities of his pictographs, Gottlieb began to simplify his symbols and composition in order to enhance his theme of universality. By the 1960s, he was creating paintings like Equinox, in which the grid is reduced to an implied (although occasionally delineated) horizontal division that separates the image into two halves. Within each half, a few shapes—circles, squares, or calligraphic gestures—float against a field of color, vying for focal supremacy. Gottlieb creates a tension between the two forms struggling against each other, but in their balance and containment within a field of color, he also achieves a harmonious resolution.

Duncan Phillips acquired his two examples of Gottlieb’s work soon after each was painted, evidence of his appreciation of his art. Although no specific reference to Gottlieb appears in Phillips’s surviving writings, he could have had Gottlieb in mind when he declared in 1955, “I admire the aesthetic interpretations of the age we live in—even the symbols for the anarchy, the turmoil and the inner tensions.”

poboh: Audrey Hepburn.

poboh:

Audrey Hepburn.

  • Reblogged from

  • May 13, 2013, 2:57pm

          169 notes

playstation2chainz:

so ur telling me all mothers were born today

I’M ADAM RICHMAN HERE TO TAKE ON THE BREWSTER CHALLENGE

I’M ADAM RICHMAN HERE TO TAKE ON THE BREWSTER CHALLENGE

(Source: theofficescreencaps)

(Source: im-so-lonely-but-thats-ok)

“wild wild west” by will smith is my palette cleansor

buusaur replied to your post: j-boge reblogged your post: buusaur replied to…

You wanna go? You wanna go, Jed? You wanna go? Is that what you want to do? You wanna go?

yeah i wanna go let’s go let’s go go power rangers

j-boge reblogged your post: buusaur replied to your photo: tragedy struck…

I thought that too at first glance. lol

wanna fight i’ll take ya